Natalie’s work is a striking exploration of human emotion, memory, and presence. My Aunt Betty’s Dog Died is more than a portrait—it’s a meditation on solitude,  introspection, and the quiet weight of personal history. The angular posture of the figure creates an unspoken tension, as if caught in a moment of deep contemplation or quiet resilience.
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Natalie is a great artist and the art shows the lady and incorporates the lady well into her surroundings. IT makes you think well about her situation, so it brings you into the art. To me that is the sign of a good artist for it draws you into the art and makes you feel the painting!

There’s something hauntingly beautiful about Natalie’s My Aunt Betty’s Dog Died. It’s not just a portrait—it’s a dialogue with silence, a moment suspended between grief and grace. Every line, every stillness, carries emotion that lingers long after you look away.

There’s a remarkable precision in how Natalie balances structure and feeling. Her compositions are disciplined, yet alive—crafted with a sensitivity that gives every line a pulse.